Ado - KIRA/Finery
mou ikutabi, ikusotabi kanda shitakuchibiru ni
もう幾度、幾十度噛んだ下唇に
On the lower lip I've bitten countless times, dozens of times
もう /mou/:
already; here emphasizing how many times it has happened
幾度 /ikutabi/:
how many times; many times
幾十度 /ikusotabi/:
dozens of times; an old-fashioned, literary expression
噛んだ /kanda/:
bitten; past form of 噛む, modifying the lower lip
下唇 /shitakuchibiru/:
lower lip
nijinda tetsu no aji, mou akiaki shite iru
滲んだ鉄の味、もう飽き飽きしている
I'm thoroughly sick of the taste of iron seeping out
滲んだ /nijinda/:
seeped or oozed; past form of 滲む, implying blood from the bitten lip
鉄の
味 /tetsu no aji/:
the taste of iron; here, the metallic taste of blood
飽き
飽きしている /akiaki shite iru/:
to be thoroughly fed up; 飽き飽きする with ~している marking an ongoing state
usuyami no umi wo mitsumete iru
薄闇の海を見つめている
I'm gazing at the sea in the dim light
薄闇 /usuyami/:
dimness, half-light, twilight gloom
見つめている /mitsumete iru/:
to be gazing or staring; 見つめる in the ongoing ~ている form
dareka ga sasayaku no ga kikoeru
誰かが囁くのが聞こえる
I can hear someone whispering
誰か /dareka/:
someone; 誰, who, plus か makes an indefinite person
囁く /sasayaku/:
to whisper
~のが
聞こえる /no ga kikoeru/:
to be able to hear something happening; の nominalizes the action and 聞こえる means it is audible
motto saki e, motto jiyuu ni,
「もっと先へ、もっと自由に、
“Farther ahead, more freely,
もっと /motto/:
more, further
先へ /saki e/:
ahead, onward; へ marks the direction of movement
自由に /jiyuu ni/:
freely; 自由 plus に forms an adverb
mada shiranai basho e
まだ知らない場所へ」
to a place still unknown.”
まだ~ない /mada nai/:
not yet; まだ paired with a negative form
知らない /shiranai/:
not know, unknown; negative form of 知る
場所 /basho/:
place, location
kira, mi ni matotta kira
綺羅、身に纏った綺羅
Finery—the finery draped upon the body
綺羅 /kira/:
fine silks, splendid clothing, or richly dressed people; here it also evokes the uniform and each person's brilliance
身に
纏った /mi ni matotta/:
worn or draped on the body; past form of 纏う, modifying 綺羅
hoshi wa sorezore ni suiheisen wo kazaru
星はそれぞれに水平線を飾る
Each star adorns the horizon in its own way
星 /hoshi/:
star; here it can also symbolize each person who shines
それぞれに /sorezore ni/:
each, respectively, each in their own way
水平線 /suiheisen/:
horizon
飾る /kazaru/:
to decorate, adorn
kira, narabitatta kira
綺羅、並び立った綺羅
Finery—the finery standing side by side
綺羅 /kira/:
fine silks, splendid clothing, or richly dressed people; here it also evokes the uniform and each person's brilliance
並び
立った /narabitatta/:
stood side by side; past form of 並び立つ, modifying 綺羅
ametsuchi ayanasu
あめつち綾なす
Heaven and earth weave a splendid pattern
あめつち /ametsuchi/:
heaven and earth; an old-fashioned word also meaning the whole world
綾なす /ayanasu/:
to weave or form a beautiful pattern; used of things intertwining into a splendid scene
kitto kono mama doko ni datte yukeru
きっとこのままどこにだって行ける
Surely, if we keep going like this, we can go anywhere
きっと /kitto/:
surely, certainly
このまま /kono mama/:
just as things are; here, if we continue like this
どこにだって /doko ni datte/:
anywhere; an interrogative plus だって gives an all-inclusive meaning
行ける /yukeru/:
can go; potential form of 行く
youyou to yomu norito
揚々と誦む祝詞
Triumphantly reciting a sacred prayer
揚々と /youyou to/:
triumphantly, proudly, in high spirits; often used in 意気揚々
誦む /yomu/:
to recite or chant aloud; a literary spelling related to 読む
祝詞 /norito/:
a Shinto ritual prayer or liturgy recited to the deities
kono yume wa waraeru ka?
この夢は笑えるか?
Is this dream something to laugh at?
この /kono/:
this; placed before a noun
夢 /yume/:
dream; also an aspiration or ideal
笑えるか /waraeru ka/:
is it laughable, or can one laugh at it? 笑える is the potential of 笑う, and final か marks a question
shousou wo kurai kusubutte iru mune no nokoribi
焦燥を喰らい燻っている胸の残り火
The embers in my chest, feeding on impatience and still smoldering
焦燥 /shousou/:
impatience, agitation, anxiety
喰らい /kurai/:
devouring or feeding on; continuative form of the rough verb 喰らう
燻っている /kusubutte iru/:
smoldering without fully catching fire; 燻る in the ongoing ~ている form, also used figuratively of pent-up feelings
胸 /mune/:
chest, heart; often the seat of one's feelings
残り
火 /nokoribi/:
remaining embers; figuratively, passion or resolve not yet extinguished
ore wa akirame ga warui no sa
俺は諦めが悪いのさ
I'm just not the type to give up easily
俺 /ore/:
I, me; a rough, casual first-person pronoun often associated with masculine speech
諦めが
悪い /akirame ga warui/:
reluctant to give up, unable to let go; literally, bad at giving up
~のさ /no sa/:
a casual sentence ending that explains or emphatically asserts something
kokoro no soto de sae usobuku
心の外でさえうそぶく
Even outside my heart, I make a brazen declaration
心 /kokoro/:
heart, mind, inner feelings
外 /soto/:
outside; 心の外 suggests bringing an inner thought out into the open
~でさえ /de sae/:
even at or even in; さえ highlights an unexpected or extreme case
うそぶく /usobuku/:
to boast or declare brazenly as if unconcerned; also to feign ignorance
motto saki e, motto jiyuu ni,
「もっと先へ、もっと自由に、
“Farther ahead, more freely,
もっと /motto/:
more, further
先へ /saki e/:
ahead, onward; へ marks the direction of movement
自由に /jiyuu ni/:
freely; 自由 plus に forms an adverb
soko ni ashiato wa nai
そこに足跡はない」
there are no footprints there.”
そこ /soko/:
there; a place away from the speaker or already mentioned
足跡 /ashiato/:
footprint, trail; figuratively, a path or achievement left by predecessors
~はない /wa nai/:
there is no; は marks the topic and ない expresses nonexistence
kira, me wo ubatta kira
綺羅、目を奪った綺羅
Finery—the finery that captivated every eye
綺羅 /kira/:
fine silks, splendid clothing, or richly dressed people; here it also evokes the uniform and each person's brilliance
目を
奪った /me wo ubatta/:
captivated the eye; past form of the idiom 目を奪う, modifying 綺羅
shadatsu na idetachi
洒脱な出で立ち
A stylish, refined appearance
洒脱な /shadatsu na/:
stylish, refined, and unaffected
出で
立ち /idetachi/:
attire, appearance, or getup; a literary expression
nani yori mo mabayuku
何よりも目映く
More dazzling than anything else
何よりも /nani yori mo/:
more than anything, above all; より marks comparison and も broadens the scope
目映く /mabayuku/:
dazzlingly, radiantly; continuative form of 目映い
kira, mi ni matotta kira
綺羅、身に纏った綺羅
Finery—the finery draped upon the body
綺羅 /kira/:
fine silks, splendid clothing, or richly dressed people; here it also evokes the uniform and each person's brilliance
身に
纏った /mi ni matotta/:
worn or draped on the body; past form of 纏う, modifying 綺羅
hoshi wa sorezore ni suiheisen wo kazaru
星はそれぞれに水平線を飾る
Each star adorns the horizon in its own way
星 /hoshi/:
star; here it can also symbolize each person who shines
それぞれに /sorezore ni/:
each, respectively, each in their own way
水平線 /suiheisen/:
horizon
飾る /kazaru/:
to decorate, adorn
kira, narabitatta kira
綺羅、並び立った綺羅
Finery—the finery standing side by side
綺羅 /kira/:
fine silks, splendid clothing, or richly dressed people; here it also evokes the uniform and each person's brilliance
並び
立った /narabitatta/:
stood side by side; past form of 並び立つ, modifying 綺羅
ametsuchi ayanasu
あめつち綾なす
Heaven and earth weave a splendid pattern
あめつち /ametsuchi/:
heaven and earth; an old-fashioned word also meaning the whole world
綾なす /ayanasu/:
to weave or form a beautiful pattern; used of things intertwining into a splendid scene
kitto kono mama doko ni datte yukeru
きっとこのままどこにだって行ける
Surely, if we keep going like this, we can go anywhere
きっと /kitto/:
surely, certainly
このまま /kono mama/:
just as things are; here, if we continue like this
どこにだって /doko ni datte/:
anywhere; an interrogative plus だって gives an all-inclusive meaning
行ける /yukeru/:
can go; potential form of 行く
doko ni datte yukeru
どこにだって行ける
We can go anywhere
どこにだって /doko ni datte/:
anywhere; an interrogative plus だって gives an all-inclusive meaning
行ける /yukeru/:
can go; potential form of 行く